“Techno-poetry” is the way the artist Dan Roosegaarde describes the combination of nature and technology he accomplished with the installation Lotus Dome for the Design Light Festival, held in Jerusalem the past June. It consists on a sensitive illuminated dome that continuously opens and closes, changing the cave’s inner surfaces in response to human behaviour.

Making use of materials and technologies hailing from external research branches, not only the Studio Roosegaarde but many other architects and artists have developed interactive walls and installations that angle for the “union of innovation and imagination in a merging of disciplines”(Dan Roosegaarde, 2013): techno-poetic could be every interactive artwork that behaves like an intangible natural and organic reaction while using digital and physic systems.

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